Mmm, great stuff. Has a great atmosphere to it. We just started using acrylics today in art, then we were able to do out own thing. Just wondering, when you put your paints down, where they laid down quickly, or did you thin them out? Great job once again vacher.

great lights... as usual.

Wow, your acrylics have a heck of a softer look than mine do. Any particular technique?

Very nice. Is this a sketch for a larger painting?

Man. I really don't like landscapes, but ALL of yours are unbelievable!! They have this surreal, majestic quality that's oh so exquisite. Great stuff!

Incredible.. That lighting is just beautful.
You did it again Christophe.. good job!

Thank you guys. Well, I wanted to do a bigger painting from this study, but finally gave up the idea. I don't think that the result would be very interesting on a larger scale.
To answer technical questions, well, I generally try to lay down all the main areas of colors and values first, next to each others, being careful of balancing warms and cools as best as possible, before refining the details in each area (and this painting being just a study, and pretty small, I didn't refine it very much, you can even see the grain of the board).
This kind of technique is a very traditional one, and is actually well explained by Craig Mullins in his tutorials (even though he uses more digital than traditional and all the tricks that digital can offer, the core of the technique is always the same).

wow this is amazing i love the designs on the wall great job

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Oh, that explains it! The warm- and cool-tones areas are very well balanced indeed; this is something I don't always (if ever) manage with traditional paintings. I should pay more attention.

Brilliant artwork yet again, needless to say.

Thanks, Elidih. Brilliant artwork in your gallery too. Enoc, I checked out your website: cool design work in your gallery.

Vacher, you never fail to please. Wonderful! Teach me!! ;D